Crazy little thing called love by Queen is one of my favorites and I thought I would play part of it.
Here are the chords to the song.
DGCG This thing, called love,i just cant handle it, DGCG This thing, called love,i must get round to it, DBbCD I aint ready, Crazy little thing called love.
Repeat Chords for Verse 2: D This thing(This Thing) called love (Called Love) GCG It cries (Like a baby) In a cradle all night D It swings (Woo Woo) It jives (Woo Woo) GCG It shakes all over like a jelly fish, D I kinda like it BbCD Crazy little thing called love
Chorus: GCG There goes my baby, she knows how to rock and roll. BbEA She drives me crazy, she gives me hot and cold fever, F then she leaves me in a cool,cool sweat
After practicing for about 20mins this is how I sound.
Gauge: The tone of a string depends on its weight which is related to the thickness gauge. Thicker, heavier strings require more tension for the same pitch and are harder to hold on a fret board. Thicker strings produce a thicker tone. Therefore different string gauges require different tuning.
The guitar has been around in one form or another for centuries, but the principals behind how it works can be in use in musical instruments ever since the first cave man pulled the string on his bow and noticed a sound. A guitar is simply an expansion of this idea to create a series of strings tied taught, and placed over a large hollow body to resonate the sounds. There are also various styles of guitars all which have different sounds, the two most common in acoustic models being the classical, or nylon string, and the folk, or steel string. Each has their own unique sound from the materials of the strings, and the composition of the bodies, as well as the air between them.
There are six strings on a guitar, each with an open notes of E2, A2, D3, G3, B3, and E4, each with corresponding frequencies of 82 Hz, 110 Hz, 147 Hz, 196 Hz, 247 Hz, 330 Hz .
These frequencies represent the root tone of each string. What makes a guitar sound the way it does is the overlay of various frequencies on each string, or the overtones present. These patterns of overtones and their strengths is what makes a guitar sound different from say, a trombone. In addition, this exact patterns of overtones is impossible to repeat, and so every instrument will sound different, and in fact every note as subtly changes from the exact location on the string where it is plucked to the force, direction, and the age of the string both off and on the guitar all have small effects on the sound.
These strings then transfer their sound into the body of the guitar where they set up an internal resonance in the air chamber made by the body, and cause the back plate and face plate to vibrate. These vibrations cause the air to compress and rarify making the compression waves in the air that our ear interprets as sound.
History of the EC200ce: For the uninitiated, the EJ200CE is billed as “the guitar you’ve seen in the hands of everyone from Elvis to Emmylo.” (This isn’t quite true, you actually saw the Gibson J200 in their hands - and in the hands of Clint Black, Motley Crue, The Eagles, Vince Gill and Jimmy Page - the EJ200CE is a cheap copy made by Gibson subsidiary, Epiphone.)
eSonic2 System Made exclusively for Epiphone by Shadow, the leader in acoustic amplification since 1971, the eSonic and eSonic2 feature studio-quality fidelity, unrivaled dynamics and greatly increased harmonic content resulting in uncompromised acoustic guitar realism. And, with a 5-year Unlimited Warranty, you can rest assured that it will keep working performance after performance.
eSONIC2 CONTROLS AND FUNCTIONS
The eSonic is equipped with 3 EQ controls that work together to shape the overall "tone" of your instrument. The controls are: Treble Knob, Bass Knob and Dynamic Slider. Each control has a center "detent" which can be considered a general purpose setting and a good place to start.
Treble: This controls the amount of treble or "highs." Rotate clockwise to increase treble up to 9dB and counter clockwise to reduce treble up to -9dB.
Bass: This controls the amount of bass or "lows." Rotate clockwise to increase bass up to 9dB and counter clockwise to reduce bass up to 9dB.
Dynamics: The dynamics slider reduces or increases the range of the treble and bass controls. Positioning the slider to the left reduces the amount of EQ dynamics while positioning the slider to the right increases the amount of EQ dynamics. The dynamic control also alters the EQ shape allowing you to best tailor the sound of your guitar to fit your style of playing, the volume level and the venue.
